A Brief History of Record Industry Suicide

Found this big article. It’s really long, but very well worth the read. I highly suggest you do read it, and share it with others. This affects pretty much everyone here, and is very important



If you’re going to tl;dr, I’ll just copy and paste the ending:

So what can you and I do to help usher in the brave new world? The beauty of Oink was how fans willingly and hyper-efficiently took on distribution roles that traditionally have cost labels millions of dollars. Music lovers have shown that they’re much more willing to put time and effort into music than they are money. It’s time to show artists that there’s no limit to what an energized online fanbase can accomplish, and all they’ll ever ask for in return is more music. And it’s time to show the labels that they missed a huge opportunity by not embracing these opportunities when they had the chance.

1. Stop buying music from major labels. Period. The only way to force change is to hit the labels where it hurts - their profits. The major labels are like Terry Schiavo right now - they’re on life support, drooling in a coma, while white-haired guys in suits try and change the laws to keep them alive. But any rational person can see that it’s too late, and it’s time to pull out the feeding tube. In this case, the feeding tube is your money. Find out which labels are members/supporters of the RIAA and similar copyright enforcement groups, and don’t support them in any way. The RIAA Radar is a great tool to help you with this. Don’t buy CDs, don’t buy iTunes downloads, don’t buy from Amazon, etc. Steal the music you want that’s on the major labels. It’s easy, and despite the RIAA’s scare tactics, it can be done safely - especially if more and more people are doing it. Send letters to those labels, and to the RIAA, explaining very calmly and professionally that you will no longer be supporting their business, because of their bullish scare tactics towards music fans, and their inability to present a forward-thinking digital distribution solution. Tell them you believe their business model is outdated and the days of companies owning artists’ music are over. Make it very clear that you will continue to support the artists directly in other ways, and make it VERY clear that your decision has come about as a direct result of the record company’s actions and inactions regarding digital music.

2. Support artists directly. If a band you like is stuck on a major label, there are tons of ways you can support them without actually buying their CD. Tell everyone you know about them - start a fansite if you’re really passionate. Go to their shows when they’re in town, and buy t-shirts and other merchandise. Here’s a little secret: Anything a band sells that does not have music on it is outside the reach of the record label, and monetarily supports the artist more than buying a CD ever would. T-shirts, posters, hats, keychains, stickers, etc. Send the band a letter telling them that you’re no longer going to be purchasing their music, but you will be listening to it, and you will be spreading the word and supporting them in other ways. Tell them you’ve made this decision because you’re trying to force change within the industry, and you no longer support record labels with RIAA affiliations who own the music of their artists.

If you like bands who are releasing music on open, non-RIAA indie labels, buy their albums! You’ll support the band you like, and you’ll support hard-working, passionate people at small, forward-thinking music labels. If you like bands who are completely independent and are releasing music on their own, support them as much as possible! Pay for their music, buy their merchandise, tell all your friends about them and help promote them online - prove that a network of passionate fans is the best promotion a band can ask for.

3. Get the message out. Get this message out to as many people as you can - spread the word on your blog or your MySpace, and more importantly, tell your friends at work, or your family members, people who might not be as tuned into the internet as you are. Teach them how to use torrents, show them where to go to get music for free. Show them how to support artists while starving the labels, and who they should and shouldn’t be supporting.

4. Get political. The fast-track to ending all this nonsense is changing intellectual property laws. The RIAA lobbies politicians to manipulate copyright laws for their own interests, so voters need to lobby politicians for the peoples’ interests. Contact your local representatives and senators. Tell them politely and articulately that you believe copyright laws no longer reflect the interests of the people, and you will not vote for them if they support the interests of the RIAA. Encourage them to draft legislation that helps change the outdated laws and disproportionate penalties the RIAA champions. Contact information for state representatives can be found here, and contact information for senators can be found here. You can email them, but calling on the phone or writing them actual letters is always more effective.

I only listen to music on the radio - I believe the songwriters/artists have some commission on this. I may have bought about 10 cds/tapes so far in my life. I’ll buy more at some stage when funds are greater.

Seriously disappointing news about Radiohead. I’m glad I didn’t download their new album. I think I’m going to file them next to Metallica. Thom Yorke whines too much anyway.

What happened to Radiohead?

its about time… (…somebody said that!)

hey look guys! i finally found estonia!

what happened to radio head?

Yeah - what happened to Radiohead ? For a minute there I lost myself!

This is what the record companies really don’t understand. When you do eventually decide to buy albums or go to concerts, you’ll buy albums or tickets to concerts of artists you already like, based on hearing their work for free somewhere. Or else you’ll pay for music on the recommendation of a really enthusiastic friend who is a fan of some band you never heard of, but whose taste in music matches your own.

That’s really where the money in the music business comes from, not from forcing people to pay for a pig in a poke.

Most recording artists make their money from selling t-shirts and posters at their live concerts and percentages of ticket sales. The money they get from store sales of albums and air play is miniscule. Their contracts might say they get ten cents on the dollar, but it’s a net dollar, not a gross dollar. The record companies spend money like it was water to ensure not much ends up in the net column.

Seriously disappointing news about Radiohead. I’m glad I didn’t download their new album. I think I’m going to file them next to Metallica. Thom Yorke whines too much anyway.

Being disappointed in a band just because it didn’t give you everything for free at the highest bitrate without even any thought to getting paid is holding them to pretty unrealistic standards.

Radiohead has made a couple important steps in the right direction that no other artists so far have had nearly the courage to attempt: they went on their own without a label, they have openly acknowledged that downloading is the norm, and they have shown that they are willing to try to put something out worth fans’ money, rather than just assuming that the label will sue fans into paying. If this pays off for them, there will be a lot more “experimenting” like this by other bands in the future, which is the last thing the RIAA wants to see.

So they want to try to get paid too. Something wrong with that?

nine inch nails and saul williams adapted to it too