ED Prequel

Here it is folks. The next Orange project is the prequel to ED. They said they wanted a bit lighter. Thus follows the script (which is as of now public domain :)) (also, VO means Voice Over)…

Mods, please feel free to move this, though I’m calling down the “power” of my long standing around here to keep in it News & Chat. Ahem.

Elephants Dream, a Prequel

SCENE 1: A small, run down waiting room. There are six seats in the room, none of them matching. Different animation style characters wait in the seats, in comic fashion (biggest one crammed into smallest seat, smallest one sprawled across couch). Parody posters of famous CG films adorn the walls. A secretary, who is classic anime female cheesecake, sits behind a desk, using her computer.

The cast is:

Mr. Indelible
Fleck
Scritch (and little kids)
Robot Boy
Annie - Cowgirl
Maisy Duck
A Bare, Wire-Rendered Armature

Each character is an analogue of a familiar animation character (Mr. Incredible, Shrek, Scrat, Robot from Robots, Jessie from Toy Story 2 and Daisy Duck), but with clear differences. The point is to indicate to the viewer who the actor is without breaking (or even getting close to) the copyright barrier.

All the actors turn to look as the outside door opens, revealing zooming traffic and a new addition to the waiting room:

Proog. Unlike his performance in ED, Proog seems happy to be here and quite pleasant. He is wearing a Hello Kitty t-shirt.

PROOG: Do you hear that?

SCRITCH: ??

PROOG: Listen! Do you hear it?

ARMATURE: ??

Camera dramatic zoom into Proog’s face.

PROOG: It’s… a tufted titmouse, I think. Beautiful bird. Haven’t heard one in years.

PROOG enters the room and shuts the door. He looks around, but there is nowhere to sit.

Just then, the door behind the secretary opens and an enraged one-eyed monster (a la Mike Wizowski) storms out, cursing.

ONE-EYE: You coulda told me up front that wasn’t what you was looking for! Now I’m all ashamed of myself!

CASTING AGENT (VO): We don’t make those kinds of movies here, Mr. Wadlewski.

ONE-EYE: I don’t need your crummy wholesome family lovey crap! I’ll find something! There’s lotsa work in this town for a giant… eyeball… with… legs…

ONE-EYE’s voice trails off as he realizes how completely wrong he is and how stupid he sounds.

CASTING AGENT (VO): Maybe next time.

ONE-EYE, dejected: Yeah.

ONE-EYE, defeated, walks past PROOG, nudging him to the side.

ONE-EYE: Out of the way, mutton chops.

PROOG: I’m sure you were very good.

ONE-EYE shoots him a mean look, then EXITS, muttering “I’m sure you were very good.”

CASTING AGENT (VO): Oh, Carol…

The SECRETARY (CAROL) gets up and sticks her head in the open door. We hear whispers and muffled conversation. MR. INDELIBLE is clearly checking out her ass as she does this.

CAROL, turning back to the room: Alright, Mr. T has just informed me that although this is a family picture, which Mr. Wadlewski completely failed to grasp (CAROL shudders), there will be no cute furry animals. So, any cute furry animals are going to have to leave.

SCRITCH turns from his kids, who are beating the crap out of each other, and looks at CAROL with wide, sad eyes. Through his pantomime, he conveys that his kids are starving and his wife will give him hell if he doesn’t get the part.

CAROL shakes her head and points to the door, with sympathy.

SCRITCH gathers his kids and whispers something to them. They all drop to their knees with super-cute pleading faces.

CAROL rolls her eyes. She grabs a nut from a jar on her desk and tosses it out the window. Immediately, SCRITCH and kids go tearing after it, as in Ice Age. We hear car horns and screeching tires.

CAROL does an “oops” face, and returns to her work.

She is interrupted by the quiet southern female voice of Maisy Duck.

MAISY: Does that mean me, too?

CAROL: Sorry hon. No animals.

MAISY: Ahm not furry.

CAROL: Close enough.

MAISY: I-

MAISY is interrupted by her cell phone.

MAISY: Hey Donny! Uh huh. Uh huh. OOO! That’s wonderful news! Thank you so much.

MAISY puts her phone away.

MAISY (to CAROL, triumphantly): Ah’ll be leaving now. Someone’s cutting the ribbon at the new IKEA this afternoon!

MAISY sachets across the room and out the door. MR. INDELIBLE is clearly watching her ass.

ANNIE slaps him.

ANNIE: You ain’t a man! You’re a pig!

MR. INDELIBLE: Hey! Come on! You’re just jealous that I haven’t been looking at you!

ANNIE (backing him up into his seat by poking him in the chest): And pigs is animals and the lady said NO ANIMALS!

MR. INDELIBLE jumps out of his seat, striking a threatening pose.

MR. INDELIBLE: That’s it. You’ve been on my case since I got here this morning.

ANNIE: What’re you going to do, hit me? Hit a giiiiiiirl?

MR. INDELIBLE raises his hand as though preparing a karate chop.

MR. INDELIBLE: Take a look at that!

We see that his hand is in the sunshine coming through the window, giving his flesh a soft, realistic glow.

MR. INDELIBLE: It’s called “subsurface scattering”, sweetheart, and it’s something you’re never going to have.

ANNIE looks hurt.

MR. INDELIBLE: And this…

He brings the hand down to slap his stomach. He’s still a bit chubby, and his stomach wobbles and shakes a bit when he hits it.

MR. INDELIBLE: Procedural secondary motion. You might as well just go home.

ANNIE, defeated: You’re a horrible man. And you’re still a pig. You’re a horrible man-pig.

MR. INDELIBLE, mocking: Snort, snort.

ANNIE, angrier: And you’re a bully too. And you know what I do to bullies!

ANNIE swarms onto MR. INDELIBLE and they begin to brawl.

CAROL: No! No fighting!

The battle continues, with CAROL giving VO protest until we hear the distinctive sound of a very large sword being drawn.

CAROL stands on her desk holding a gigantic anime sword.

CAROL: And believe me. I know how to use it.

ANNIE and MR. INDELIBLE stop fighting and gape at her.

CAROL: Both of you, get out now.

MR. INDELIBLE: You are so hot.

CAROL: GO!

ANNIE and MR. INDELIBLE flee.

There is a beat of silence, then MR. INDELIBLE’s head appears in the door.

MR. INDELIBLE: So what time do you-

He is cut short by the sword thunking into the door jam, narrowly missing him.

CAROL (VO): GO!

This time, he does not come back.

CAROL (still on the desk): Anyone else want to tell me their family’s starving? Or try to look down my shirt? Or start wrecking the place? No? Good.

CAROL climbs down and straightens her hair.

CAROL: Now who’s next?

ARMATURE meekly raises his hand and stands up. His motions are like those of a street mime.

CAROL: Name?

ARMATURE pantomimes: ??? (what? an innocent “I don’t know.”)

CAROL: It’s a speaking part, hon.

ARMATURE pantomimes hyper-dejection, a big sigh and slouch.

CAROL: And in the future, you might want to put a little more meat on your bones. Mr. T. doesn’t go for that anorexic thing.

ARMATURE puts its hands over its stomach and nods its head.

CAROL: Great. Come back after you eat a few sandwiches, okay?

ARMATURE gives a thumbs up and walks out.

-continued in next post…-

The camera now pans over FLECK, ROBOT and PROOG, who is still standing.

CAROL (VO): And you can have a seat now, sweetie.

PROOG: Oh. Thank you. I will.

PROOG takes the seat that MR. INDELIBLE had been crammed into. It fits him perfectly. PROOG turns to the Robot, who is seated next to him.

PROOG: Hello. I’m Proog.

ROBOT: Heya. Robot.

CAROL: Mr. Fleck. You’re next.

FLECK: Right!

Fleck stands up with a small fart, then proceeds into the casting room.

PROOG (to ROBOT): Have you ever been in one of these before?

ROBOT: Oh yeah. Actually, I did a feature film once.

PROOG: Really? What was it about?

ROBOT, dismissive: Eh, mostly robots…

Both Actors look around, as the room has begun to shake slightly. It builds for a few seconds and the windows begin to rattle. Suddenly, we are assaulted with a huge, deep, horrible fart sound that extends for several seconds. PROOG ends up holding his ears. Then, there is silence. A piece of ceiling plaster crashes to the ground.

CASTING AGENT (VO – heard through the closed door) My eyes! My eyes! Aaaargh! Get out of here!

The casting door opens, and FLECK backs out, pleading.

FLECK: I’m sooo sorry! It just happens sometimes! I can’t help it!

As he backs up, green whispy tendrils begin to pour from the casting room.

CAROL (choking): Mr. Fleck!

FLECK (embarrassed): Sorry.

CASTING AGENT continues to yell and curse from beyond the door.

FLECK leaves, still apologizing. The green fog continues to ooze into the room.

ROBOT (turning back to PROOG): So anyway… ack… bzzzt.

PROOG: “Ack bzzt?” I’m not sure I understand.

We see that the green smoke from FLECK’s fart is quickly corroding and/or melting different parts of ROBOT’s structure.

ROBOT: Oh fzzzzzzt.

Within seconds, he is little more than a pile of corroded metal.

PROOG, finally and cumulatively freaked out by everything he’s seen so far, turns to CAROL.

PROOG: Is it always this… maddening around here?

CAROL: Honey, last week I had FOUR melted robots, twelve police calls, a meteor strike and at least ten different people ground to a pulp.

PROOG, gulping: Pulp?

CAROL: Pulp.

We hear the sound of the casting door opening…

CASTING AGENT (VO), coughing: Carol, we’re ready in here again. Who’s next?

CAROL, winking at PROOG: A Mr. Proog.

CASTING AGENT (VO): Send him in.

CAROL: Good luck, hon.

PROOG: Thank you.

PROOG gets up, wiping some stray bits of ROBOT from his lap, and we follow him through the Casting Door, into SCENE 2.

SCENE 2: A nicely appointed casting room. Two men are in the room. One, Mr. B., is behind a luxurious wooden desk. The other, Mr. T., is sprawled in a recliner, playing a handheld computer game.

MR. B (speaks very quickly with little space between his words): Proog huh? Nice to meet you. Sit down. Have a seat. You thirsty? Beer? Ice Water? Coffee? Whiskey? Anything?

There is a beat of silence during which it seems that PROOG is trying to form a response.

MR. B: Nothing? That’s cool. Have a seat man.

MR. T gestures to a bare chair, with the look of something from the original Elephants Dream short.

PROOG sits.

MR. T returns to his video game, and really starts hitting the buttons.

PROOG starts to say something, but MR. B holds up a finger, then points to MR. T.

MR. T is really going for it now. He’s saying things like:

MR. T: GO GO GO! COME ON! NOT-- WAIT-- SHOOT! SHOOOOOOT!

After another few seconds, MR. T obviously triumphs. He starts WOOTing and jumping around on his chair. Finally, he jumps from the chair and lands in front of PROOG. MR. T slaps the game into PROOGS hands.

MR. T: And THAT! Is how you win at Donkey Kong, bitch.

PROOG tries to smile, but can only squirm in his seat.

MR. B shrugs his shoulders and smiles apologetically.

MR. B: T. Yo, T.

MR. T, snapping out of his triumphant state: Huh?

MR. B: The movie? We’re casting a movie, remember?

MR. T: Oh. Right. Sorry.

MR. T takes the game back from PROOG and takes a seat on the front of MR. B’s desk. In this next bit T and B trade off talking without gaps.

MR. B: So, Proog… can we call you Proog?

MR. T: Right. Proog. We’re looking for someone to play a crazy old guy in our animation. It’s strictly family stuff, so it’s got to be played smooth.

MR. B: Completely smooth. We don’t want to scare the kids. And the old guy walks around in this wacky machine with his little buddy! We’re thinking it’ll be something like Elmo, because kids love puppets!

MR. T: And they have adventures and do dances and stuff!

MR. B: And it’s just great for kids because it’s like… whatever they can imagine can really happen!

MR. T: And we’re thinking that Nickelodeon or one of the big guys will pick it up as a series!

PROOG: And it’s called?

MR. B: Machina!

MR. T: No! Elephants Dream! It makes more sense.

MR. B: Oh right. I forgot.

PROOG: It sounds interesting, but I was wanting to do something more serious…

MR. B: It’s for families. That’s big right now.

PROOG: Well…

MR T: Have you ever done green screen work?

MR. B: There’s lots of that. Virtual sets. Special effects out the wahoo!

PROOG: Can I see the script?

MR. T: Script? Heh.

MR. B: Ahhhh. Right. Script.

They both look around sheepishly.

MR. B: Actually, it’s more of an improv piece.

MR. T: Like “Best In Show”.

PROOG: Oh! Well then!

CUT TO SCENE 3: We see Elephants Dream as though being watched through a TV monitor. The camera pulls back and we see that it was through the monitor hood of a floor-mounted movie camera. Unlike the actual short, though, the music is silly, and PROOG capers around with glee.

PROOG: Why Emo, don’t be silly! We’ll just use our imaginations!

We also see that the walking cameras and other set pieces for ED are just 2D props, stationed along with PROOG in front of a green screen.

MR. T, pumping his arm: This rocks. It’s ON like DONKEY KONG!

MR. B: I’m retiring to Aruba.

In the background, PROOG continues his “Kid Show” talk.

END

I hope you’re aware that you just volunteered as a script writer for Orange 2.

Absolutely hilarious! Thanks!

-jan

Is it really a big problem to write a film script that is suitable for general audiences? Where did the film projects like Crosswalk go? If the creator of Crosswalk doesn’t mind…I vote that to be the next Orange Film.

I would very much appreciate it if the next Project Orange was a lighter, G-rated film.

If you want blender/orange films to do well…i suggest taking the approach that Pixar uses…created films that are viewable by all ages with a strong story that can teach a valuable lesson.

Why? If we want CG films viewable by all audiences, we just have to wait for Pixar to develop its next film. There are plenty enough films of the type already, and we don’t necessarily have to feel forced to make a this-is-for-everyone script, just because it works for them.

I think a mature (as in “not for 8-year-olds”), yet non-censorable (no swearing, no explicit content) and more understandable and easy to interpret (open to interpretation, but not so much as Elephants Dream) script would be nice for the next Orange Studios project.

Lmfao thanks you made my night Harkyman!!

That was great !

So are you releasing this under Creative Commons ? :slight_smile:

Mike

:D:D:D:D:D

Now that was entertainment!

Aligorith

i agree with Friday, there really wasn’t anything wrong in elephants dream, if elephants dream was unsuitable i guess you didn’t see the end of the Incredibles and what happened to the bad guy.

Very, very true. I was thinking about that after I got offline last night. Not sure how they figured it would be an appropiate ending. When I first saw it I thought “Yikes, bad Pixar!”.

egh, please no more ed… dont make this into another starwar trilogy of junk

harkyman,

brilliantly done. Sent you an email,

LetterRip

I vote you try to push Blender to it’s limits in such a way that it would need to be expanded farther, like fluids, cloth, rigidbodies, and hair all interacting with each other and probably other cool effects like clouds, fire, and smoke.

Good to hear there may be another Blender pushing project.:slight_smile:

LetterRip – I’m off work for the long weekend, send it to my harkyman.com address, which I think you have.

… And does a little miniature version of his famous “typewriter dance” as he enters the room.

Mr. INDELIBLE looks at Proog as if he’s seeing an alien from another planet … or just another one of those crazy city people …

Hehehe, very good, Harkyman!

However, one thing concerns me… if you were writing this, then you can’t have been writing Blender People… :wink:

You got that right. I didn’t really have a problem with the ending, but there were some scenes that got me wondering how it was marketed as a children’s movie.

Although I did like the voice work for the mrs.

Wahahahahaha,
this is just hilarious. And there is potential for a lot of fluid/liquid/cloth/… parts that would really push Blender forward. DO IT.:smiley:
That’s my opinion…
moHiJ

HAHAHAHAHAHAHHAHAHAHHAHAHHAHAHAHHAHAHAHHAHAHAHHAHAHAHHAHAH
HAHAHAHHAHAHAHHAHAHHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAH
HAHAHAHAHHAHAHAHAHHAHAHHAHAHAH! HA! gasps for breath

that is soo funny! man i loved ED but that is a great spoof. the pulp part was hilarious.

I can’t believe it took me this long to see this!
If anyone wants to make this movie, I’d be happy to donate all the production files of elephants dream for free… now, if we can just convince pixar/disney and dreamworks to do the same… :wink: