damn! Your works keep getting better and better!
My favourites are Penelope at the Window and The Thousand Natural Shocks that Flesh Is Heir To
How on earth did you make that thousand natural shocks one?
Hey Robert, You’re back! And just when I thought you had out done yourself on the previous ones you make more that are even more impressive. I still don’t understand how you manage to place each individual shape and vertex in the perfect location (mostly refering to your past works but also your first). I also just must know how you did The Thousand shocks that flesh are heir to.